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Spanish Open dictionary by furoya



furoya
  15139

  Value Position Position 2 2 Accepted meanings 15139 2 Obtained votes 88 2 Votes by meaning 0.01 7 Inquiries 434528 3 Queries by meaning 29 7 Feed + Pdf

"Statistics updated on 5/3/2024 9:21:23 AM"




nitio
  41

It may be an error by NiTiO 8323; ( nickel titanium oxygen sub three ) , sharp , nimious , lithium , site , . . .

  
benda
  26

Error by venda , verbs / venda , band , blessed ( blessed ) , path , menda , Zenda , beoda ( beodo ) , . . .

  
poster
  30

Error by poster , dessert , post , post , dessert , English / poster , . . .

  
tejeria
  33

It may be a mistake by weaving ("weaving, roof"), the feminine of weaving, verbs/weaving, verbs/fear, verbs/tajearía, . . .

  
pavilado
  43

I'm not sure where this mistake came from, it may be a misinterpretation of pabiloso ("mortecino"),, or come from savvy ("awake").

  
dictrico
  29

It looks like some spawn between diptych and triptych, perhaps a bad typing of pictorial, or district, or jaundiced, or dielectric, or diacritic, or . . .

  
genocidio
  37

It is a type of crime against humanity, where a group is exterminated because of its racial origin, its religion, its sex, . . . It can be extended to political, ideological, geographical differences; but in truth the practical limit for this concept should be outside an armed conflict, since a war is always between opposing sides for some reason, and in a genocide one kills only for a characteristic of the victims. It is a word first used as a title in a chapter on the Shoah of the work Axis rule in occupied Europe ("The axis domain in occupied Europe", Raphael Lemkin, 1944), combining the Latin voices gens, gentis ("nation, people, tribe, clan") the suffix -cidium ("who kills").

  
shoá
  38

'Shoah' is a word of Hebrew origin as 1492; 1513; 1493; 1488; 1492; (yoá "catastrophe") which is used by the Jewish people to refer to the genocide they suffered during the third Reich regime in Nazi Germany. See Holocaust.

  
abismo
  37

1º_ Huge depth, extreme difference of heights downwards, difficult or even impossible to measure. It comes from the late Latin abyssus, and which takes it from the Greek 945; 946; 965; 963; 963; 959; 962; ( abyssos "bottomless") . See chasm . 2º_ In heraldry it is the central part of a shield. See mise in abîme . 3º_ Poetically, "hell" (as a place). 4º_ First (as 'I') person in singular of the present of the indicative mode for the verb abismar . See verbs/abyss.

  
abisal
  30

Relative to the abyss . In geology it is called this to the deep seas above 2000 meters.

  
zagal
  29

1º_ In Spain he is "young man, shepherd, waiter". From Arabic 1586; 1594; 1604; 1608; 1604; ( zaglul "boy, young, agile") . 2º_ Women's undergarment, as a petticoat.

  
ménade
  32

Priestess of Bacchus or Dionysus, all were characterized by their frantic behavior during orgiastic celebrations; by extension, today it is used poetically to name a woman who is sexually uncontrolled and/or at a party. It comes to us from Greek (through Latin) ???????? ( mainados "crazed") .

  
ninfómana
  52

It should be the feminine of a nymphomaniac, but it is not a masculine quality; so the definition is: "woman who has nymphomania or uterine fever (an insatiable sexual appetite)".

  
cuenco
  34

1º_ Concavity, hollow part of a piece or body. 2º_ For the above, vessel, bowl or bowl, usually without handles; also a basket or cuezo. 3º_ Cuenco (Cuencu, in Asturian) is a town in the Principality of Asturias (Spain).

  
tazón
  36

Augmentative masculinized cup, for one larger than usual or for a bowl with foot or support base.

  
taza china
  33

In addition to the literal meaning of "a cup of Chinese origin", it is called the one that does not have a handle although sometimes it has a lid, and is used in the East to drink tea taking it with both hands and thus feel its temperature. Obviously, the Chinese do not call it 'Chinese cup', for them it is a 33590; 30871; ( cha wan "cup of tea") . See bowl, bowl.

  
bol
  24

1º_ Bowl of semi-spheroid shape, without handles, which is typically used in the kitchen. From the English bowl, with the same meaning. 2º_ Raid, launch of a net, especially of the jábega. While spanish comes from the Latin bolus, i ("lucky shot, raid with fishing"), this one takes it from the Greek 946; 959; 955; 959; 962; ( bowling "that throws") . 3º_ 'BOL' is an acronym with several developments in Spanish, such as p. and. "Library of Lacanian orientation" . 4º_ 'BOL' is the IATA airport code for the town of Ballykelly (Northern Ireland, United Kingdom).

  
mise en abyme
  34

It is a , version of mise en abîme , most used in literature, theatre and film. It was mentioned in André Gide's Diary in 1893. . . probably to avoid the circumflex accent. It refers to a part of the work in which the same meaning of the major work can be recognized, as if one narrative contained another equal, but reduced. In horror cinema the concept is taken a little further, and the mise en abyme shows a nightmare in a character, who upon waking up discovers that he is in another nightmare. See meta-reference.

  
mise en abîme
  44

Mise en abîme ("put in the abyss", in the sense of infinity) is a French voice for a design in heraldry or blaszoning where a shield is repeated drawn within the same shield, which in turn also has the same drawing, and which continues to be repeated with a recursion effect. The concept was taken up by art, especially film and theatre, where it is used more as a mise en abyme. See droste effect.

  
efecto droste
  37

It is a variant of the mise en abîme used in blazoning, but applied to art, design and optical effects. The origin of the name is in the advertising, more precisely in the packaging of the cocoa powder of the Dutch food Droste, which since the beginning of the twentieth century showed a nanny with a tray in her hands, and in it there was a cocoa container with the same image of the nanny carrying the cocoa container, in which the same design is shown again; which in theory repeats the images one inside the other infinitely (or as far as the resolution of the print reaches). This feature in a well-known product in its time inspired dutch journalist Nico Scheepmaker to popularize in the 1970s the name 'Droste effect' for this recursion in designs with a meta-reference. See mise in abyme .

  




       


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